In my preceding article I mentioned that you can put on glass paint by means of a sponge, which in reality is a good method of perhaps covering, say, a large area. Not merely this, but it would allow you to merge in colours even as they are still wet, in fact. Plus, if you do this, you will, once this is dry, be able to rework it with the sponge with another colour.
So how about using a glass gel? Glass gel you can obtain in your local art suppliers. This gel is now obtainable in tubes. How do you apply this? The best method is by means of a spatula! If you do this you will realize that it gives you a textured surface, but will as well offer relief effects.
All in all there are three types of gel colours, you have semi opaque, which are opaline, glittery are iridescent, and transparent which are crystalline. The fine thing on the subject of these is that you can mingle all the colours and ranges together, plus the outliners, copying the Tiffany kind of glass actually.
Consequently if you use the gel, and actually use a sponge to apply it, this will result in a more even type of thinner coat. You can therefore build further layers on this. A great plus you get when working with the gel is that it has a water base, so any tools you use can be washed and cleaned quite easily with soap and water.
You will as well see that it will no longer be all sticky after more or less half an hour also most likely it will be absolutely dry in going on for a week. In fact, you might say, that generally speaking, the gel is rather slow to dry.
Yet, because of this self-same fact, it does grant you the alternative of being able to include different things into the gel itself to compliment your design. Consequently you may say what for example? Let us experiment with, just for starters, sequins, shapes in acetate, glass nuggets or even a small amount of sea shells. It is to a certain extent possible to attach your objects with one of your glass outliners.
Now all this sounds quite straightforward but, if I want to transfer my design to the glass, what is the best method to do this? I have to say that it is to a large extent easier to work on a level surface, particularly if you would like to paint, for instance, a window. I would endeavour to try and rest it on a surface horizontally. But if you were working on a sheet of acetate, or even a clip frame, you may well copy your pattern straight through.
More tricky perhaps is trying to remove a design on to an object which is curled. In this situation you would need to make use of some carbon paper and in that case tape your paper to the glass. Carry on then by taping your design on top of this. After that you can just draw on your pattern with a biro to transport your outline on to the glass.
Similar to most forms of art, ranging from abstract paintings all the way through to canvas art, it is worthwhile to varnish it in order to look after it. Varnish for glass is sold either in a matt or gloss finish. Matt varnish leaves like a frosted glass look to it. If you utilize the gloss varnish you can also produce paler shades by also using it to thin your paint, although it will not change the depth of colour or transparency.